The tables have been turned on Michael Moore (pictured), the maker of the film Fahrenheit 9/11.The hunter has become the hunted. Michael Moore, the celebrated left-wing film-maker, has become the unwilling subject of a new documentary that raises damaging questions about the credibility of his work.
Moore’s films, which he calls documentaries, include Roger & Me, Bowling for Columbine and Fahrenheit 9/11.
Yet the latest assault on Moore’s film-making techniques has come from an unexpected quarter.
In Manufacturing Dissent, a documentary to be shown for the first time at a Texas film festival on Saturday, a pair of left-wing Canadian film-makers take Moore to task for what they describe as a disturbing pattern of fact fudging and misrepresentation.
Most of his critics say all of his films contain fact fudging and misrepresentation.
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